A solo-exhibition and art book take shape 20 years after Lene Marie Fossen made her decision.
Her creative impulse keeps her on a knife-edge, on a power wire, staring at both sides of the gateway, inhabiting a territory that exists almost only virtually and she enables access to this territory through the device of timelessness, of photography, for the others and she thinks that it needs to be seen.
It is her inscription. It is her choreography. It is Lene Marie Fossen as art.